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		<description>⸻ Acerca&#38;nbsp;/ About




	









	

José Manuel Escudero Ruiz


	

Fotógrafo Photographer












	

⸻


					    			
	



Curriculum Vitae



	

⸻
 
Instagram / E-Mail



</description>
		
		<excerpt>⸻ Acerca&#38;nbsp;/ About     	          	  José Manuel Escudero Ruiz   	  Fotógrafo Photographer             	  ⸻   					    			 	    Curriculum Vitae    	  ⸻ ...</excerpt>

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⸻ Volver / Back





	


	






Acerca

	



&#60;img width="2250" height="3000" width_o="2250" height_o="3000" src_o="https://cortex.persona.co/t/original/i/773eb51b89f17ff643cb187b7373218756d26a73910d7e1b22b88957b8237288/Self_Small.png" data-mid="1376215" border="0" data-scale="92"/&#62;


	

ESP
⸻

Investigador en artes visuales. CDMX,
1988.
Su interés se centra en el
espacio público como sitio en donde se manifiestan relaciones identitarias a
través de objetos, eventos y fenómenos socioculturales. A través de su práctica
fotográfica y de ejercicios como el caminar y la observación atenta, encuentra
expresiones públicas que reflejan los sistemas de creencia de la comunidad a
quien pertenecen.
El aspecto principal de su investigación es la fe como
detonadora de acciones de apropiación dentro de la urbe secular, donde a partir
de prácticas que abarcan: el objeto pictórico, el pequeño monumento y la
performatividad ritualística, mantienen vivos profundos sistemas de creencia,
desplegando expresiones afectivas y activando la memoria colectiva incluyendo
la celebración y el goce comunal.
	ENG



⸻


Visual Arts Researcher. Mexico City, 1988.

His research focuses on public space as a site where identity relationships are manifested through objects, events, and sociocultural phenomena. Through his photographic practice and exercises such as walking and attentive observation, he finds public expressions that reflect the belief systems of the community to which they belong.

The main aspect of his research is faith as a catalyst for acts of appropriation within the secular city, where, through practices encompassing the pictorial object, the small monument, and ritualistic performativity, profound belief systems are kept alive, unfolding affective expressions and activating collective memory, including communal celebration and enjoyment.





⸻
Curriculum Vitae (ENG/ESP)


	

⸻
 
Instagram / E-Mail









</description>
		
		<excerpt>⸻ Volver / Back      	   	       Acerca  	       	  ESP ⸻  Investigador en artes visuales. CDMX, 1988. Su interés se centra en el espacio público como...</excerpt>

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	<item>
		<title>Curriculum Vitae</title>
				
		<link>http://escvdero.com/Curriculum-Vitae</link>

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		<pubDate>Fri, 02 Sep 2016 01:53:53 +0000</pubDate>

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⸻ Volver&#38;nbsp;/ Back
	

⸻
 


Acerca / About



	






C.V.2025


	México, CDMX, 1988





Estudios
&#38;nbsp; &#38;nbsp; Licenciado en diseño gráfico 2013

 



&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  



Universidad Gestalt de Diseño 


&#38;nbsp; &#38;nbsp; Maestría en Investigación en Artes Visuales 2020



&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  



UNAM



Talleres
&#38;nbsp; &#38;nbsp; Diseño editorial

 
2010
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Impartido por Sergio Freire


&#38;nbsp; &#38;nbsp; Caligrafía

 
 2011
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Impartido por Alberto Valencia
&#38;nbsp; &#38;nbsp; Cartel y creatividad

 
 2011



 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Impartido por

 Antonio Pérez “Ñiko”



&#38;nbsp; &#38;nbsp; Semiótica en la obra de arte

 
 2015&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; Impartido por Marco Antonio García

Reconocimientos

&#38;nbsp; &#38;nbsp; Ganador








&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 5º Concurso de Cartel en honor a Octavio Paz



 
2014



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Convocado por Nueva Alianza







&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; "El diseño está en el aire"



 
 2015





&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Convocado por

 Aeroméxico

Mención honorífica
 







&#38;nbsp; &#38;nbsp; “Figuras de una historia colectiva”



 
 2015





&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Convocado por

 la Bienal Internacional de Cartel en México




&#38;nbsp; &#38;nbsp; “Cyclos” 



 
 2018



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

Convocado por Arquine

Exposiciones colectivas
 



&#38;nbsp; &#38;nbsp; 2 de Quinto





 
2011

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


Amarillo Centro de Diseño




&#38;nbsp; &#38;nbsp; La muerte, epígrafes y epitafios





 
 2012

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

Museo de Antropología de Xalapa 



&#38;nbsp; &#38;nbsp; Mar de mares 



 
 2014


&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  Museo de Antropología de Xalapa
&#38;nbsp; &#38;nbsp; To death with a smile





 
 2015


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; MUMEDI


&#38;nbsp; &#38;nbsp; Quattuor Virtvtem





 
 2016


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Congreso del Estado de Veracruz


&#38;nbsp; &#38;nbsp; Xalapa, su identidad







 
 2016


 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Galería de la biblioteca Carlos Fuentes


&#38;nbsp; &#38;nbsp; Una jóven mirada al cartel







 
 2016




&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

Universidad Autónoma de San Luis Potosí

Experiencia
&#38;nbsp; &#38;nbsp; Diseñador gráfico y editorial

 

2011 / 2013




 &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; Instituto de Artes Plásticas la Universidad Veracruzana


 



&#38;nbsp; &#38;nbsp; Maestro adjunto de Antonio Perez “Ñiko”

 

2014 / 2017




&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  UGD
&#38;nbsp; &#38;nbsp; Maestro de diseño gráfico

 

2015 / 2019




&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; UGD
&#38;nbsp; &#38;nbsp; Maestro de diseño gráfico

 

2018 / 2022
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Universidad Anáhuac Xalapa
&#38;nbsp; &#38;nbsp; Freelancer 2013 / presente






Idiomas
&#38;nbsp; &#38;nbsp; Español Nativo
&#38;nbsp; &#38;nbsp; Inglés TOEFL 633
&#38;nbsp; &#38;nbsp; Francés DELF A2
	Mexico, Mexico City, 1988



Education
&#38;nbsp; &#38;nbsp; Bachelor in graphic design 2013
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Gestalt University of Design
 &#38;nbsp; &#38;nbsp; Master in Visual Arts Research 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; UNAM
Workshops
&#38;nbsp; &#38;nbsp; Editorial Design



 
 2010
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Given by 

Sergio Freire
&#38;nbsp; &#38;nbsp; Caligraphy



 
 2011
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Given by

Alberto Valencia
&#38;nbsp; &#38;nbsp; Poster and creativity



 
 2011
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Given by Antonio Pérez "Ñiko"
&#38;nbsp; &#38;nbsp; Semiotics on the artwork



 
 2015
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Given by

Marco Antonio García


 

Recognitions
&#38;nbsp; &#38;nbsp; Winner
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 5th Poster Contest in honor of Octavio Paz 2014 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Organized by the Nueva Alianza political party
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; "Design is in the air”



 
 2015
 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Organized by Aeromexico

Honorable Mention
&#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; “Figures of a collective history”



 
 2015
 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  Organized by the International Poster Bienal in Mexico
 &#38;nbsp; &#38;nbsp; “Cyclos”



 
 2018
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Organized by Arquine

Colective exhibitions
&#38;nbsp; &#38;nbsp; 2 de Quinto





 
 2011
&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  Amarillo Design Centre
&#38;nbsp; &#38;nbsp; Death, epigraphs and epitaphs





 
 2012
&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  Anthropology Museum of Xalapa
&#38;nbsp; &#38;nbsp; Sea of seas 2014
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Anthropology Museum of Xalapa
&#38;nbsp; &#38;nbsp; To death with a smile





 
 2015


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; MUMEDI
&#38;nbsp; &#38;nbsp; Quattuor Virtvtem





 
 2016
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; State Congress of Veracruz
&#38;nbsp; &#38;nbsp; Xalapa, his identity





 
 2016
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Carlos Fuentes bibliotheque gallery
&#38;nbsp; &#38;nbsp; A fresh look on posters





 
 2016
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Autonomous University of San Luis Potosí


Experience
&#38;nbsp; &#38;nbsp; Editorial and graphic designer





 
 2011 / 2013
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Institute of Fine Arts of the Universidad Veracruzana
&#38;nbsp; &#38;nbsp; Teachers assistant to Antonio Perez “Ñiko”





 
 2015 / 2019
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; GUD
&#38;nbsp; &#38;nbsp; Graphic design teacher





 
 2015 / 2019
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; GUD
&#38;nbsp; &#38;nbsp; Graphic design teacher





 
 2018 / 2022
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Anahuac University Xalapa
&#38;nbsp; &#38;nbsp; Freelancer 2015 / present



Languages
&#38;nbsp; &#38;nbsp; Spanish Native&#38;nbsp; &#38;nbsp; English TOEFL 633

&#38;nbsp; &#38;nbsp; French DELF A2



	



	

⸻
 
Instagram / E-Mail





</description>
		
		<excerpt>⸻ Volver&#38;nbsp;/ Back 	  ⸻     Acerca / About    	       C.V.2025   	México, CDMX, 1988      Estudios &#38;nbsp; &#38;nbsp; Licenciado en diseño gráfico 2013      ...</excerpt>

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		<title>Investigaciones</title>
				
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		<pubDate>Tue, 03 Nov 2015 22:44:35 +0000</pubDate>

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		<description>⸻ Volver




	

⸻
 


Acerca







Fotografía


	⸻Obrera 2022 ― A la fecha




	


	

⸻

&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/fcf0b963f697c66afc4b317d1e72b7ee8573ceef9029dd77bc6ec1eb72055467/Canonet_Kodak200_003_EDITED.png" data-mid="1376153" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/a406c2df658e8d58cee8b02e11e3c534216dc1d703a330b051eaab306a48b60b/Canonet_Kodak200_004_EDITED.png" data-mid="1376137" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/42f917210a5c73e604828ce51f2baa79a2c1f60d7a371ee844717b1acf90559c/Canonet_Kodak200_005_EDITED.png" data-mid="1376138" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/2d69bd5617d1fe48b9d69f9069dc373b74dcc08119888481d2dbf631ebfb19e7/Canonet_Kodak200_006_EDITED.png" data-mid="1376148" border="0" /&#62;&#60;img 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width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/de4873550ac295149941716d42531a9f953dbef4a2cd3c6b7bb7467d0afdaf26/img018_EDITED.png" data-mid="1376127" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/a251a2eba5d1fe3215484c2548b0e152d8a558a64296bebf2d478a9d20897d73/img023_EDITED.png" data-mid="1376124" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/5aec0ef62e50254acffcb57fbc6c134ddfd1495dcdb82ef9cf6538d264eddc7f/img027_EDITED.png" data-mid="1376147" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/53834b2e93362653fc3131bb0335c1307b6de0ae5e909118c32c7e7c2356bcb0/Kodak200_003_EDITED.png" data-mid="1376122" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" 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⸻Omphalos 2022 ― A la fecha



(ESP)(Del griego antiguo 'ombligo') Este nombre es el que le he otorgado al proyecto de "perderme" en el centro de la Ciudad de México, autodenominada 'el ombligo de la luna'.

Llegué a la capital después de haber vivido 16 años en Xalapa, Veracruz, así que el reconocimiento y la apreciación del flujo de vida en el corazón del país son ejercicios que utilizo para integrarme en este ambiente nuevo y peculiar. Me interesa registrar los contrastes urbanos y multiculturales en la cotidianidad de la ciudad, sucesos que atrapan mi curiosidad



	

(ENG)

(From the ancient Greek for 'navel') This is the name I have given to the project of 'losing myself' in the center of Mexico City, self-proclaimed 'the navel of the moon'.

I arrived in the capital after having lived 16 years in Xalapa, Veracruz, so the recognition and appreciation of the flow of life in the heart of the country are exercises I use to integrate myself into this new and peculiar environment. I am interested in recording the urban and multicultural contrasts in the daily life of the city, events that capture my curiosity.




	⸻

&#60;img width="1000" height="666" width_o="1000" height_o="666" src_o="https://cortex.persona.co/t/original/i/5a9e6bc4e7278c7b71b3a2756d14007dfa0afffc687ae06ac97e697596131b1c/Kodak200_037_EDITED.png" data-mid="1376200" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/8ca2f20e75e08408813ab171a1a0ba5c9bfa499bf7030ba43cf0840aed05fe67/Canonet_Kodak200_021_EDITED.png" data-mid="1376169" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/62c43881af5d75c8a687c8d60ce6ec552d61c33e9df3a95369d28fc0d2017d01/Canonet_Kodak200_001_EDITED.png" data-mid="1376161" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/ff451b8731c1cc56098bbf8256f8c25e1fbd9e128ccfdd302acd0c71fd400d5d/Canonet_Kodak200_007_EDITED.png" data-mid="1376191" border="0" /&#62;&#60;img width="1000" 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Cihualpilli

 2023 ― A la fecha


	

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&#60;img width="1000" height="667" width_o="1000" height_o="667" src_o="https://cortex.persona.co/t/original/i/572e82f9808dab828d996e16776a2fb11d33c48b12bbeb27576d1e31f139332f/Kodak200_008_EDITED.png" data-mid="1376556" border="0" /&#62;&#60;img width="667" height="1000" width_o="667" height_o="1000" src_o="https://cortex.persona.co/t/original/i/606651e9838350e6cdd7a90804a26a454355992907c9fdbb929262cb8a50aaf7/Kodak200_031_edit.png" data-mid="1376573" border="0" /&#62;&#60;img width="667" height="1000" width_o="667" height_o="1000" src_o="https://cortex.persona.co/t/original/i/0fd3ab120bf98594b102ac7eb86006f38aca857e59e3b2d8eed996de6d6943e9/Kodak200_003_edit.png" data-mid="1376555" border="0" /&#62;&#60;img width="667" height="1000" width_o="667" height_o="1000" src_o="https://cortex.persona.co/t/original/i/92d962bdb907b55b43d17bf5c728db26df096578dfd889772215b122478a6e24/Kodak200_034_edit.png" data-mid="1376564" border="0" /&#62;&#60;img width="1000" height="667" width_o="1000" 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src_o="https://cortex.persona.co/t/original/i/2ceed384ac44c7de2f15ab687742a5c628a83392190e576637de2c110d713160/Kodak200_005_EDITED.png" data-mid="1376570" border="0" /&#62;&#60;img width="680" height="1000" width_o="680" height_o="1000" src_o="https://cortex.persona.co/t/original/i/7b028c571d4c6e4ad7693177acc2f8bcd6464599266d11ac6f6479ac989e4c02/Kodak200_012_EDITED.png" data-mid="1376574" border="0" /&#62;






Intervención Arquitectónica











	

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San Lázaro 2021






(ESP)

Dentro de la Biblia, a Lázaro se le menciona dos veces. Primero, en una parábola relatada por el mismo Jesús, donde cuenta la historia de una persona viviendo de migajas, cubierto de llagas y acompañada de perros que lamen sus heridas. Después, se presenta a Lázaro como hermano de Marta y María, recién fallecido, y a quien Jesús visita en su sepulcro para regresarle a la vida. Es justo en estas dos narrativas donde comienza el sincretismo del personaje, San Lázaro, ya que la institución cristiana solo reconoce al segundo, seguidor de Cristo como figura de veneración. Sin embargo, en la cultura popular se ha filtrado el de la parábola, patrono de los pobres y los leprosos. 

En México, el culto a San Lázaro es minúsculo, a pesar de que, hace más de 500 años, un recóndito lugar fue consagrado en su nombre. Originalmente, fue la atarazana donde Hernán Cortés conservó los bergantines con los cuales asedió Tenochtitlan. Más tarde, se convirtió en capilla, como segmento de un complejo hospitalario y como una fracción del primer leprosario de América continental. Actualmente, sumergida en un limbo de propiedad y presupuestos federales, ve pasar el tiempo, sin atención ni feligreses.
 
Como parte de la maestría en investigación en Artes Visuales de la UNAM, propongo el resucitar de un sitio olvidado, integrando nuevos procesos ritualísticos y performáticos para, en medio de jardines y utopías arquitectónicas, devolverle la vida, una vez más, a San Lázaro.

	

(ENG)

Within the Bible, Lazarus is mentioned twice. First, in a parable told by Jesus himself, where he tells the story of a person living on crumbs, covered in sores and accompanied by dogs that lick his wounds. Later, Lazarus is introduced as the brother of Martha and Mary, recently deceased, and whom Jesus visits in his tomb to bring him back to life. It is precisely in these two narratives where the syncretism of the character, Saint Lazarus, begins, since the Christian institution only recognizes the latter, a follower of Christ, as a figure of veneration. However, the one from the parable, patron of the poor and lepers, has filtered into popular culture.

In Mexico, the cult of Saint Lazarus is minuscule, despite the fact that, more than 500 years ago, a remote place was consecrated in his name. Originally, it was the shipyard where Hernán Cortés kept the brigs with which he besieged Tenochtitlan. Later, it became a chapel, as a segment of a hospital complex and as a fraction of the first leper colony in continental America. Currently, immersed in a limbo of federal property and budgets, she watches time pass by, without attention or parishioners.

As part of the master's degree in research in Visual Arts at the UNAM, I propose the resurrection of a forgotten site, integrating new ritualistic and performative processes to, in the midst of gardens and architectural utopias, bring life back to San Lázaro once again.





	⸻&#60;img width="1440" height="1080" width_o="1440" height_o="1080" src_o="https://cortex.persona.co/t/original/i/40153063bd8a8e27688b8dbeb3dd4d7086036132c947d37fcc965b674da298ca/Placa-mbil-small.jpg" data-mid="1376209" border="0" /&#62;&#60;img width="1440" height="956" width_o="1440" height_o="956" src_o="https://cortex.persona.co/t/original/i/b7dfec9d5cde9dc8936ee4c288ff4c586cae823d058ed7a09c2bcbd49b41fb45/bside-y-crucero-derecho-small.jpg" data-mid="1376212" border="0" /&#62;&#60;img width="1440" height="956" width_o="1440" height_o="956" src_o="https://cortex.persona.co/t/original/i/deeb681f9ea665cb279a6e95082b03ee164d5fd8cf2f786e93daf39bbc72b68b/Halo-2-small.jpg" data-mid="1376207" border="0" /&#62;&#60;img width="1500" height="844" width_o="1500" height_o="844" src_o="https://cortex.persona.co/t/original/i/6903230c6ab838ddb164196ec1b1fdd3b8751ff6fe847d98ce1726d0962badc1/Imagen3.png" data-mid="1376208" border="0" /&#62;&#60;img width="1500" height="844" width_o="1500" height_o="844" src_o="https://cortex.persona.co/t/original/i/1eacb484bbfac04ff3bce2ab09c66ad7bc5e9bad335fb3f990b6d17bb35b0ca9/Imagen6.png" data-mid="1376206" border="0" /&#62;&#60;img width="1500" height="844" width_o="1500" height_o="844" src_o="https://cortex.persona.co/t/original/i/6cc93944f9468d24e9e0b23946fa179b6011a827d3b610709ed08961d8da1342/Imagen2.png" data-mid="1376210" border="0" /&#62;&#60;img width="1500" height="844" width_o="1500" height_o="844" src_o="https://cortex.persona.co/t/original/i/78782d3f2afc15ee9660e0138a5f85b32a15c9f5b5e57cec0ed5988d3c545a52/Imagen10.png" data-mid="1376211" border="0" /&#62;





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Cyclos 2018



(ESP)

Proyecto de Instalación Arquitectónica en colaboración con St.Cosme, finalista en Mextrópoli 2018.




	

(ENG)Architectural Installation project in collaboration with St.Cosme, finalist at Mextrópoli 2018.








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Curriculum Vitae

(ENG/ESP)


	

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